I donāt ship canon Stalia or Scalia in general. I can work with Stalia fcs and in an au with good chemistry I can do it, but otherwise no. Scalia is just an all out no because I personally believe Scott would never date an ex of Stiles, especially after Stiles was obviously so uncomfortable during one scene talking about his sort of exclusive but also toxic relationship. I prefer to think of Scott as someone who wants to do whatās right and know all sides, and as the kid who was so close to Stiles that of the pack, only he knew the fear Stiles went through during the dementia scare. So scalia is a very hard no, but I can work with some Stalia.
So I have work tonight, and Iāll be home around midnight, but then I have to work in the morning, too, so hereās hoping all goes well and is dead tonight cuz I think Friday is going to kill me all over again if itās a home game x.xĀ
So Iām going mobile, gonna work on a few drafts and then Iāll be off and on if I can.Ā
Scribbling down Ideas/rough paragraphs for my Stuckony fan fiction with in a fan fiction and my lord is it going to smutty.
Because Tony is going to write Stucky fan fiction starring all the ridiculously porny ideas Iāve had, or the darker themed ones that will never be anything more than a scene or ones for specific links that I have written a few lines for and then abandoned.
Exciting.
This is exciting. I can’t wait to see how awesome you make this one. š
Oh boy nonny do I ever have more thoughts on that topic. I have so many.
First off, I should say that I think youāre not as alone as it seems. Most of the posts on tumblr have been positive because of a lot of us staying silent due to not wanting to harsh anyoneās squee. (If anyone reading this is still flying high on your TR buzz, stop reading now.) And most of the relatively smaller proportion of critical posts have, for whatever reason, come from people who are mainly Loki fans who donāt like how the movie treated him as a character. But among people I have talked to privately and from discussions Iāve seen in places that arenāt tumblr, there are plenty of Thor fans who donāt like what Ragnarok did to his character either. (Personally I really donāt understand how anyone could have been a Thor fan and thought he was boring and unfunny before Ragnarok, but different strokes I guess.)
And, like, I think there are two different conversations about this, and I want to keep them separate because I think thatās important to avoid having stupid arguments about it. One conversation is whether this was an enjoyable version of Thor. Obviously, this question is entirely subjective, and those who enjoyed it are likely to be willing to overlook much of the other question, and thatās completely reasonable. If you enjoy a thing, you donāt often feel a need to poke at it much, and I donāt think thereās any reason to try to argue with peopleās aesthetics, so none of this is meant to say that people should not enjoy it. Yāall do you.
But for the conversation about the characterās arc across the movies and Ragnarokās consistency with it (or, rather, lack thereof), the assertion that Ragnarok āfixedā Thor is one I really take issue with. Because the way I see it, it āfixedā strawman Thor and thereby ignored or destroyed the aspects of his character that were the really significant and meaningful things about him, IMO.
Like, OK, if you believe the main problem was that Thor was underpowered in the previous movies and Ragnarok showed a more physically powerful Thor who no longer even needs Mjolnir to make lightning? Well, sure, I guess. Those were indeed some visually stunning scenes. But seeing Mjolnir as a silly tool that Thor needed to grow beyond? Nah, that is a complete misunderstanding of the point of the hammer and of, well, the entirety of Thorās character arc. āThe power was in him all along, he just needed to believe in himself!ā is the tired and simplistic YA character arc Ragnarok gave us for him, and it is completely out of place for a character who had spent the last four movies growing from an arrogant prince who didnāt think things through and assumed himself to be in the right, into someone who is very aware of his own power and careful of the ways it can be misused because he has come to understand how badly he can fuck up without intending it. Someone who has grown up from blindly idolizing his king and father to understanding the wrongs Asgard has committed (Borās slaughter of the Dark Elves, Odinās war against the Frost Giants) and how those wrongs are still having consequences in the present day, and having to grapple with whether he wants any part of that and how he can fulfill his duties without perpetuating those wrongs. Someone who has dealt with his values coming into conflict with each other, and has had to navigate those dilemmas without a rulebook (that is why āworthyā is not ever defined: the point of the hammer is that it is a symbol of facing difficult ethical questionsālike whether to turn your back on your kinsman who has done terrible things, pitting your love and loyalty against your duty as a leaderāand having to find your own answers, knowing that you could get it wrong). Someone who is careful in how he relates to others because he found out that his beloved brother had gone around the bend without him even being aware there was a problem, and who cares deeply about his relationships with others and is committed to doing right in them.Ā
The Thor of Ragnarok seems little aware of his own values of honesty, forthrightness, fairness, and compassion that marked him in all prior iterations of canon; he is instead insincere and manipulates his potential friends and allies rather than trying to honestly convince them to help him, and he makes virtually no attempt to talk Hela down, choosing to insult her instead, despite knowing that she has real grievances. Where Thor 1 and TDW showed us a Thor who could explain advanced astrophysics with a few sketches, with the emotional and interpersonal intelligence to make friends when set down on Earth with nothing and to get people to follow him into danger because they like him and want to help, Ragnarok Thor shows no such skill.
And the greatest show of Thorās āclevernessā in Ragnarok⦠OK, we all recall the scene in Avengers 1 where Loki uses the illusion appearing to break out of the glass cage to get Thor to dive headlong into it, right? And how Loki taunts him with āAre you ever not going to fall for that?ā The point of that scene was not that Loki was correct and Thor was dumb to believe it. The point of it was that Loki was being a schmuck and Thor should be able to trust him. Ragnarok, however, seems to be saying the height of cleverness is for Thor to see through Lokiās tricks and get him back for them. Folks, weāre not supposed to buy Lokiās bullshit, OK? Loki is not correct that the most deceptive = the smartest. And Thor appearing to believe it⦠does not constitute positive character growth for someone who was already well beyond that in a much better direction.
So yeah, the way I see it is that Ragnarok was completely out of place for Thorās character arc, and it ignored all of the things I found interesting and important about the character, instead replacing him with someone I donāt much like.
I hope this maybe articulates some of the same issues you have with it, and I really hope it helps you to feel less alone, nonny. There are Thor fans who feel Ragnarok did not do right by him. Weāre here. And if you want to talk about it more, please donāt hesitate to message me!
āāThe power was in him all along, he just needed to believe in himself!ā is the tired and simplistic YA character arc Ragnarok gave us for himā¦ā
Iād argue that we donāt even have this character arc, or that itās not well executed. The film doesnāt do much to establish Thor doubting himself, or having a reason to. He oscillates between confidence and insecurity (and not, imo, in a way that suggests the confidence is fake). Apart from in moments of conflict with strong characters (Hulk and Hela), Thor succeeds and shows strength and cleverness (even if thatās a brand of cleverness that doesnāt suit Thorās character growth). He is only impeded by self-doubt in the sense that he fears heās not strong enough when he has reason to be worried heāll lose, which makes it a weak example of the simplisticĀ āHe just needed to believe in himself!ā character arc. Characters who undergo this arc typically doubt themselves in every situation, not only when theyāre losing against very strong enemies. Indeed, not believing in themselves is often the reason they nearly lose against their enemies, regardless of that enemyās strength.
āFolks, weāre not supposed to buy Lokiās bullshit, OK? Loki is not correct that the most deceptive = the smartest. And Thor appearing to believe it⦠does not constitute positive character growth for someone who was already well beyond that in a much better direction.ā
I just needed that highlightedā¦
Huh. I canāt disagree with the evaluation of Thorās arc in Ragnarok, but I do wonder why the same arguments canāt be said for the way Lokiās character arc was rodgered as well. Lokiās bullshit? It was Lokiās clever, deceptive plan that allowed the brothers to triumph over the dark elves and save Jane in TDW, right? Loki has demonstrated his cleverness in every film. Right from the start, Thor was the impulsive one, bulling into situations without a clear plan. Thor demonstrates his maturing self awareness when he recogises that Loki is the better strategist, (releasing Loki from his cell to help him get Jane back) and that simply swinging his hammer at a problem, without a plan is likely to create more problems. The brothers were just beginning to build the relationship they needed to work best together when Watiti waltzed in an screwed them both. Ragnarok was a gag reel, nothing more, and EVERYBODY got fucked. I donāt even know what the hell that was with Banner and the Hulk.
Well, I wasnāt addressing Lokiās character arc because that wasnāt what I was asked about. If I were to make a post covering everything I think Ragnarok did wrong, that would be a much longer post. I donāt think Ragnarok did well by Loki at all either, though where the movie messed up with Loki is rather different from what it got wrong with Thor, IMO.
That said, I donāt think there is much support for your take on what happened in TDW. As in, that is pretty explicitly contradicted by the text. It is in fact Thorās plan that theyāre following, from the start. Loki even says so: āYou know this plan of yours is going to get us killed.ā Thor did not simply realize that he should get Loki out of the dungeons to do his thinking for him, and in fact there is very little reason to believe that Loki is the better strategist. From what weāve seen of Lokiās plans in the movies, they are⦠not great. They have pretty much all failed, some spectacularly, and none of them were really brilliant to begin with. The only reason theyāve come as close to succeeding as they have? Loki isĀ fucking brilliant at improvising. At being thrown into a shit situation and figuring out how to make it come out to his advantage. (One could certainly argue that this is a more useful skill, given the old adage about how no plan survives contact with the enemy. But still. Planning is not Lokiās forte.) And Loki isĀ also brilliant at trickery, and Thorās plan required the very best. So Thor planned it, and he knew he needed Lokiās help to make it work. And Thor also had the emotional intelligence to realize that he couldĀ trust Loki if Thor gave him a chance to rise to the occasion. And Loki did. So, I mean, what Iām saying is that we donāt need to reduce Thor to appreciate Loki. Definitely not in TDW, where they both shine and work together amazingly and itās glorious.
And I also want to be clear about what I mean by āLokiās bullshit.ā For one, itās no aspersion to say that a tricksterĀ figureĀ is a bullshitter. I aināt slandering him when I assert that he sometimes says some shit that even he doesnāt believe, to puff himself up or get someoneās goat or get someone to do what he wants or just because heās a goddamn mess. And in that particular instance of the scene in Avengers 1, feeling superior over successfully deceiving his brother is absolutely Lokiās bullshit, because thatās the most superficial thing going on in that scene. Loki isnāt tricking and taunting Thor to show off how clever he is and how dumb Thor is for falling for it. Not really. Heās trying to piss Thor off, trying to push Thor away, trying to avoid his own icky uncomfortable sentiments, trying to see if Thor willĀ still keep reaching for him.Ā
So itās disappointing that Ragnarok took that rich, layered context and flattened it into no more than aĀ āprove whoās smarter and thus betterā contest: it took Lokiās bullshit at face value and treated it like the truth. And the result was⦠making them both weaker, less interesting characters with a less interesting relationship. So we all lost.Ā
As a real time film, I didnāt like Ragnarok, but I do have a theory as to why it was so much more comical. Itās not the actual events that took place in Ragnarok; itās a film based on Thor telling the story [similar just a touch to Deadpool, but more child friendly].Ā
In the beginning of the film, we have what was believed to be a fourth wall break – but what if it actually WAS a fourth wall break disguised as a monolgue? It sets up the film to be its own film when itāsĀ ārevealedā to be a monolgue, but given Thorās love of telling stories to make people smile, I hold to the belief that TR wasnāt the actual events, merely it was Thorās telling of what happened in a film, an anecdote he summarized and highlighted but didnāt get into the nitty gritty of what happened – such as the whole situation with Banner/Hulk or even with Loki or Brunhilde [Valkyrie]. We get the parts that Thor found most amusing with a splash of what Hela was up to leading up to the main battle.Ā
That’s how I take Thor Ragnarok because otherwise I will be forever pissed at the fuckery that occured with everyone involved.Ā
One date, four times and a death toll hard to forget and painful to remember. So many lives lost, and many more since.Ā
Thank you to all those who went to rescue while others evacuated, to those who didnāt get to come home after the towers fell. Thank you to brave people who lost their lives when they took a plane back from terrorists, and to the ones who helped rescue efforts at the pentagon.Ā
Do an
outline, whatever way works best.
Get yourself out of the word soup and know where the story is headed.
Conflicts
and obstacles. Hurt the protagonist, put things in their way, this keeps
the story interesting. An easy journey makes the story boring and boring is
hard to write.
Change
the POV. Sometimes all it takes to untangle a knotted story is to look at
it through different eyes, be it through the sidekick, the antagonist, a minor
character, whatever.
Know the
characters. You canāt write a story if the characters are strangers to you.
Know their likes, dislikes, fears, and most importantly, their motivation. This makes the path clearer.
Fill in
holes. Writing doesnāt have to be linear; you can always go back and fill in plotholes,
and add content and context.
Have
flashbacks, hallucinations, dream sequences or foreshadowing events. These
stir the story up, deviations from the expected course add a feeling of urgency
and uncertainty to the narrative.
Introduce
a new mystery. If thereās something that just doesnāt add up, a big question mark, the story becomes more
compelling. Beware: this can also cause you to sink further into the mire.
Take
something from your protagonist. A weapon, asset, ally or loved one. Force
him to operate without it, it can reinvigorate a stale story.
Twists
and betrayal. Maybe someone isnāt who they say they are or the protagonist
is betrayed by someone he thought he could trust. This can shake the story up
and get it rolling again.
Secrets. If
someone has a deep, dark secret that theyāre forced to lie about, itās a good
way to stir up some fresh conflict. New lies to cover up the old ones, the
secret being revealed, and all the resulting chaos.
Kill
someone. Make a character death that is productive to the plot, but not ājust becauseā. If done well, it affects
all the characters, stirs up the story and gets it moving.
Ill-advised
character actions. Tension is created when a character we love does
something we hate. Identify the thing the readers donāt want to happen, then
engineer it so it happens worse than they imagined.
Create cliff-hangers. Keep the readersā attention by putting the characters into new problems and
make them wait for you to write your way out of it. This challenge can really
bring out your creativity.
Raise the
stakes. Make the consequences of failure worse, make the journey harder.
Suddenly the protagonistās goal is more than he expected, or he has to make an
important choice.
Make the
hero active. You canāt always wait for external influences on the
characters, sometimes you have to make the hero take actions himself. Not
necessarily to be successful, but active
and complicit in the narrative.
Different
threat levels. Make the conflicts on a physical level (āIām about to be
killed by a demonā), an emotional level (āBut that demon was my true loveā) and
a philosophical level (āIf Iām forced to kill my true love before they kill me,
how can love ever succeed in the face of evil?ā).
Figure
out an ending. If you know where the story is going to end, it helps get
the ball rolling towards that end, even if itās not the same ending that you
actually end up writing.
What if?
What if the hero kills the antagonist now, gets captured, or goes insane? When
you write down different questions like these, the answer to how to continue the
story will present itself.
Start
fresh or skip ahead. Delete the last five thousand words and try again. Itās
terrifying at first, but frees you up for a fresh start to find a proper path. Or
you can skip the part thatās putting you on edge ā forget about that fidgety
crap, you can do it later ā and write the next scene. Whatever was in-between
will come with time.
*Blinks* I-Iām not the only one to call writerās block needing to un-stick the story?Ā
I hope that youāre work day went well. and THANK YOU SO MUCH! ⤠⤠ā¤
It was alright. Just really long. Haven’t pulled a 10 hour shift in months now, let alone one with that much movement cuz I was at the hospital tonight. *dies* I’m so ready to pass out but I wanna do some things. At least get a few things queued before I knock out for the night.